Artwork by Simon Winheld

National

 UBU ROI Bake-Off

 

PRESIDENT'S DAY, FEBRUARY 19, 2018

The playwriting workshop will occur at theaters and colleges across the U.S. where participants will be able to read  their five-minute works inspired by Alfred Harry's 1896 riot-inducing satire Ubu Roi, to be performed simultaneously around the country on President's Day.


What is a Bake-Off?

A bake-off is a quickly written exercise on an assigned theme with assigned elements that folks do within a 48 hour period of time. It is a reaction to plays and works of art that are responding to another writer or artist, preferably centuries apart; the bake-off continues this conversation.  Usually, bake-offs have a group participating: when the 48 hour time period is up, the group gathers and reads the bake-offs. I usually offer a play and articles or films on the bake-off topic online. Participants are free to add their own research to the group: music, art, graphics, comic books, films, essays, etc.!

For example, with military veterans at the Wilma, we did a Bake-Off on Joan of Arc.  Everyone in the workshop wrote with the following ingredients:

  • A girl in a field.
  • A visitation.
  • Convincing higher authority.
  • A philosophical defense of cross dressing.
  • Extra-credit:  a match.

We had a wonderful cabaret/bake-off and presented the scenes in a marathon cold reading, cast on the spot. Bake-offs can be songs, poems, dada, puppetry….anything. Most bake-offs will be from 5 pages to Nilo Cruz’ DANCING ON MY KNEES first draft…130 pages?  It is still the record in the 48 hour period. Create a reading marathon of the bake-offs; a communal event very different from the isolation of writing.  To this end, we read aloud all variations on the Dybbuk Bake-off, The Faust Bake-off, The Hitchcock Bake-off, with food, coffee and wine to accompany the reading.  Hopefully we break bread together (or other baked items—an actual bake-off); and hopefully other plays will emerge from the conversation during the bake-off.

There are no critiques. Bake-Offs are to theatre what sketching is to oil paintings...please just enjoy each other. Applaud after every bake-off.

And note recruit other friends to write with you. Find space to gather if there is not a theatre available. Living rooms are great.

(Oh yes. And if a full length play emerges as often happens, Paula Vogel gets ten percent--I say that to each workshop and I am still waiting for the checks to arrive...Or you can give the ten percent to a theatre near you!)

Happy bake-off!


A History of Baking

In 1984 a group of playwrights gathered in Gordon Edelstein’s downtown loft on Chamber Street in New York City...